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(Carlton contributed the memorable guitar solo on 'Kid Charlemagne.'') He released four more albums for Warner Bros., Strikes Twice (1980), Sleepwalk (1981), Eight Times Up (1982), and the Grammy-nominated Friends (1983), before being dropped from the label. in 1978, shortly after he was recognized for his groundbreaking guitar playing on Steely Dan's Royal Scam album. The latter won a Grammy award in 1981 for Best Pop Instrumental Performance.Ĭarlton delivered his self-titled debut for Warner Bros.

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His theme music credits for TV and films include Against All Odds, Who's the Boss, and the theme for Hill Street Blues. His credits include performing on more than 100 gold albums. But it was while he with the Crusaders that he developed his signature highly rhythmic, often bluesy style. In between tours with the Crusaders, he also did studio session work for hundreds of recordings in every genre. In 1971, he was asked to join the Crusaders shortly after they'd decided to drop the word 'Jazz'' from their name, and he remained with the group until 1976. His early session work included studio dates with pop musicians like Vikki Carr, Andy Williams, and the Partridge Family. Carlton toured with the Fifth Dimension in 1968 and began doing studio sessions in 1970. He attended a local junior college and Long Beach State College for a year until the Vietnam War ended. He honed his guitar-playing skills in the clubs and studios of greater Los Angeles. King and other blues guitarists had an impact on Carlton's style as well. Wes Montgomery and Barney Kessel became important influences soon after he discovered the jazz guitar stylings of Pass. After hearing Joe Pass on the radio, he was inspired to play jazz and blues.

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His first professional gig was at a supper club in 1962. Although he recorded a number of LPs under his own name as early as 1968's With a Little Help from My Friends (Uni), and 1973's Playing/Singing (Blue Thumb), he didn't land a major-label contract until 1978, when he signed with Warner Bros.Ĭarlton began taking guitar lessons when he was six. For much of the 1970s, Carlton was active as a session guitarist, recording on up to 500 albums a year. Among his more notable projects as a session guitarist were Joni Mitchell's critically acclaimed Court and Spark album and Donald Fagen's Nightfly album. Fortunately for fans of this eclectic guitarist, he chose the former, and has recorded under his own name for Warner Bros., MCA Records, GRP Records, and various other labels since 1978.Ĭarlton's studio credits from the 1970s and early '80s include musicians and groups like Steely Dan, Joni Mitchell, Michael Jackson, Sammy Davis, Jr., Herb Alpert, Quincy Jones, Bobby Bland, Dolly Parton, Linda Ronstadt, and literally dozens of others. Like so many other Los Angeles studio musicians, guitarist and composer Larry Carlton was faced with a choice a number of years back: whether to go solo and develop a name for himself under his own name or to continue the less risky, more lucrative existence as a session guitarist, making good money and recording with prominent musicians. Greg Phillinganes, Dave Witham, Rick Jackson (keyboards), Jerry Hey, Gary Grant (trumpet, flugelhorn), Larry Williams (tenor saxophone, synthesizer), Lee Ritenour (organ, synthesizer, guitar, bass, programming), 4:48 Composed By - Larry Carltonħ Fun In The Dark 5:25 Composed By - Lee RitenourĨ Lots About Nothin' 6:15 Composed By - Larry Carltonĩ Take That 4:53 Composed By - Lee Ritenourġ0 Up And Adam 6:11 Composed By - Larry Carltonġ1 Reflection Of A Guitar Player 5:52 Composed By - Larry Carlton

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